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Workshop : 15 & 16 March @ CWFF

Last 9 seats available at the Cape Winelands Film Festival Workshop !

The GOOD, the BAD and the UGLY of independent first time filmmaking in South Africa - how to & not to, take the world by storm while you at it.

15 & 16 March 09.00 – 17.00
PROTEA HOTEL FIRE AND ICE CAPE TOWN
New Church & Victoria Street, Tamboerskloof

Please email This e-mail address is being protected from spambots. You need JavaScript enabled to view it if you would like to reserve your spot. Please include a brief motivation as to why you would like to attend this workshop and include your contact details.

Situated at the almost southernmost tip of Africa in the Cape of Good Hope, filmmaker Uga Carlini and her company TOWERKOP CREATIONS specializes in female driven heroine stories that inspire and entertain while appealing to international audiences.  With two of SA’s biggest international books optioned for the big screen under her company’s creative umbrella, Alison Botha’s I HAVE LIFE and SA’s First Lady of Space and environmentalist Elizabeth Klarer’s BEYOND THE LIGHT BARRIER, Uga is currently in production with the feature documentary versions as well as in development with her current feature THE RETIREMENT with the NFVF. Uga looks forward to presenting the Masterclass on

The GOOD, the BAD and the UGLY of independent first time filmmaking in South Africa – how to & not to, take the world by storm while you at it.

Please email This e-mail address is being protected from spambots. You need JavaScript enabled to view it if you would like to reserve your spot. Please include a brief motivation as to why you would like to attend this workshop and include your contact details.

All training, workshops and Masterclasses

Proudly sponsored by City of Cape Town and Wesgro.



 

Featured Trailer

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HEADSHOT is based on a novel called “Rain Falling Up the Sky” by a well-known Thai writer, Win Lyovarin. Initially, the author did not intend to write it as a novel, but rather as a script for an indie movie forming part of a film noir project. For some reason, it did not materialise, so the writer decided to transform the script into a novel instead; or as he called it, a film noir novel.

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