WOLFSBERGEN

WOLFSBERGENThe Netherlands/Belgium 2007, Dutch with English subtitles, 35mm, 93 min
Director: Nanouk Leopold
Screenplay : Nanouk Leopold
Cinematography: Richard van Oosterhout
Cast: Tamar van den Dop, Fedja van Huêt, Jan Decleir, Karina Smulders, Catherine ten Bruggencate, Piet Kamerman, Oscar van Woensel
Print Source: Films Distribution

Dutch director Nanouk Leopold comes into her own as a recognisable auteur with this powerful and moving portrait of a Dutch family that use the notion of euthanasia as its starting point.
When 83-year-old Konraad writes a letter to his relatives stating that he wishes to die, his daughter, Maria, refuses to discuss it. Maria's grown daughters have problems of their own; one is in a troubled marriage and the other is in therapy following an abortion.
Though disconnected from each other, Konraad's letter forces his family to deal with one other for the first time in a long time. Darkly comic, and beautifully observed, Wolfsbergen warmly shows a family's coldness to each other dissipating.
With majestic cinematography and a beautifully written script, Wolfsbergen deals with complex issues with honest and elegant simplicity. Intimate without ever resorting to voyeurism, Leopold's pure approach to film narrative is deeply rewarding.

 

 

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    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

  • UNCLE BOONMEE : Interview with Apichatpong Weerasethakul

    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

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HEADSHOT is based on a novel called “Rain Falling Up the Sky” by a well-known Thai writer, Win Lyovarin. Initially, the author did not intend to write it as a novel, but rather as a script for an indie movie forming part of a film noir project. For some reason, it did not materialise, so the writer decided to transform the script into a novel instead; or as he called it, a film noir novel.

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