Home Home Movie Review Archives AFTER THE WEDDING (EFTER BRYLLUPPET)

AFTER THE WEDDING (EFTER BRYLLUPPET)

AFTER-THE-WEDDINGDenmark 2006, Danish with English, 35mm, 122 min
Director: Susanne Bier
Screenplay: Anders Thomas Jensen
Cinematography: Morten Søborg
Cast: Mads Mikkelsen, Sidse Badett Knudsen, Rolf Lassgård
Print Source: Danish Film Institute
Jacob Petersen has dedicated his life to helping street children in India . When the orphanage he heads is threatened by closure, he receives an unusual offer. A Danish businessman, Jørgen, offers him a donation of $4 million dollars. There are, however, certain conditions. Not only must Jacob return to Denmark , he must also take part in the wedding of Jørgen's daughter. The wedding proves to be a critical juncture between past and future, and catapults Jacob into the most intense dilemma of his life.
Occupying a unique space between thriller and family drama, After The Wedding has a rare emotional power and a powerful grasp of metaphor. Shot on digital video often with a handheld camera, the film uses a combination of familiar cinematic ingredients and intense performance to powerful effect. An unpredictable drama about ideals and obligation that will keep you glued to your seat.

 

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    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

  • UNCLE BOONMEE : Interview with Apichatpong Weerasethakul

    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

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HEADSHOT is based on a novel called “Rain Falling Up the Sky” by a well-known Thai writer, Win Lyovarin. Initially, the author did not intend to write it as a novel, but rather as a script for an indie movie forming part of a film noir project. For some reason, it did not materialise, so the writer decided to transform the script into a novel instead; or as he called it, a film noir novel.

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